Historiography in the Twentieth Century: A Book Review



The following was composed in January of 2014 for Professor Darien's Historiography course at Salem State University.

Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge is a compact, accessible introduction to Western historiography by State University of New York at Buffalo’s Distinguished Professor of History emeritus Georg G. Iggers. Iggers’s book is broken into three parts, corresponding to the major periods of Western historiography. The first describes the professionalization of the field of history and its conception of itself as a scientific field, a conception articulated by Leopold von Ranke, who “ultimately became the model for professionalized historical scholarship in the nineteenth century.”[1] The second describes the desire to render history more scientific, incorporating social and economic developments and placing them within theoretical frameworks, such as Marxism. Part Three describes the questions raised by postmodernist thinkers, many of whom went so far as to conclude that history has no more correspondence to an objective reality than does literary fiction.

Throughout, Iggers discusses the authors and works that exemplify particular approaches or signify challenges to prevailing approaches. For example, Karl Lamprecht’s Deutsche Geschichte (1891) “questioned the two basic principles of conventional historical scholarship: the central role assigned to the state and the concentration on persons and events,”[2] though “attempts at introducing social history” continued to be “hampered for a long time.”[3] Also particularly interesting is Iggers’s discussion of the French Annales school, which occupies “a unique place in the historiography of the twentieth century.”[4] The works of the Annales were characterized by “the abandonment of the concept of linear time” and are “regional or supranational” in focus.[5] Fernand Braudel of course exemplified this tradition with his 1949 The Mediterranean and the Mediterranean World in the Age of Philip II, but Iggers discusses many other authors, including Lucien Febvre and Marc Bloch.[6]

One of Iggers’s major arguments is for the continuity of basic assumptions by historians over time. While he discusses the challenges raised by postmodernist thinkers—or authors at least influenced by postmodernist ideas—such as Hayden White and Joan Scott, in addition to Foucault and Derrida, Iggers contends that fundamental assumptions have remained intact even if they are now qualified. "There was no radical break," he writes, "between the older social science history and the new cultural history, but the themes and with them the methods of the new historiography changed as the center of gravity shifted from structures and processes to cultures and the existential life experiences of common people.”[7] Though “faith in the grand narratives focused on the modernization of the Western world as the culmination of a coherent historical process is irredeemably lost,”[8] and “while historians became much more guarded in their belief in the authority of science,” the “conviction that the historian dealt with a real and not an imagined past and that this real past…called for methods and approaches that followed a logic of inquiry” [9] has persisted.

Historiography in the Twentieth Century is concise and well-structured; a perfect introduction to the ways that historians have thought about their discipline and the different approaches they have taken. My only criticism is that postmodernism—officially the topic of a third of the book, but arguably central to the book’s emphasis on continuity within the field–annoyingly does not appear in the index.


[1] 26.
[2] 31-2.
[3] 33.
[4] 51.
[5] 57.
[6] 52-59.
[7] 100.
[8] 139. One wonders if the increasing popularity of “big historians” such as David Christian, who emphasize progress and often neglect to one degree or another issues such as slavery, war, or inequality, would inspire Iggers to amend this position.
[9] 15.

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